Download Alfred Hitchcock's Psycho: A Casebook (Casebooks in by Robert Kolker PDF

By Robert Kolker

Alfred Hitchcock's Psycho: A Casebook collects the various most interesting essays in this groundbreaking film--a movie that's excellent for educating the language of cinema and the ways that robust filmmakers can holiday Hollywood conventions. Psycho is a movie that may be used to give the buildings of composition and slicing, narrative and style development, and perspective. The movie can also be a highpoint of the horror style and an instigator of all of the slasher motion pictures to return in its wake. The essays within the casebook conceal all of those components and extra. in addition they serve one other goal: awarded chronologically, they symbolize the adjustments within the methodologies of movie feedback, from the 1st journalist experiences and early auteurist ways, via present psychoanalytic and gender feedback. different choices comprise an research of Bernard Hermann's ranking and its shut courting to Hitchcock's visible building; the well-known Hitchcock interview by means of Fran�ois Truffaut; and an essay through Robert Kolker that, by utilizing stills taken without delay from the movie, heavily reads its impressive cinematic constitution. participants comprise Robert Kolker, Stephen Rebello, Bosley Crowther, Jean Douchet, Robin wooden, Raymond Durgnat, Royal S. Brown, George Toles, Robert Samuels, and Linda Williams.

Show description

Read or Download Alfred Hitchcock's Psycho: A Casebook (Casebooks in Criticism) PDF

Best film books

American Cinema of the 1970s: Themes and Variations (Screen Decades: American Culture / American Cinema)

A conceited look on the seventies-the so-called Me Decade-unveils a kaleidoscope of huge hair, blaring song, and damaged politics-all effortless ambitions for satire, cynicism, and finally even nostalgia. American Cinema of the Nineteen Seventies, despite the fact that, seems past the strobe lighting fixtures to bare how profoundly the seventies have stimulated American existence and the way the flicks of that decade signify a height second in cinema historical past.

A Companion to Literature, Film and Adaptation

It is a entire number of unique essays that discover the aesthetics, economics, and mechanics of motion picture model, from the times of silent cinema to modern franchise phenomena. that includes a number theoretical methods, and chapters at the old, ideological and fiscal facets of version, the quantity displays today’s attractiveness of intertextuality as an essential and revolutionary cultural strength.

Monkey Business: The Lives and Legends of The Marx Brothers

Unusual yet real: this can be the 1st actual account of the Marx Brothers, their origins and of the roots in their comedy.

First and premiere, this is often the saga of a family members whose theatrical roots stretch again to mid-19th century Germany. From Groucho Marx's first warblings with the making a song Leroy Trio, this e-book brings to lifestyles the vanished international of America's wild and boisterous style circuits, resulting in the Marx Brothers' Broadway successes, and their alliance with New York's theatrical lions, George S. Kaufman and the 'Algonquin around Table'.

Never-before-published scripts, well-minted Marxian discussion, and lots more and plenty insanity and mayham function during this story of the Brothers' battles with Hollywood, their motion pictures, their loves and marriages, and the tale of the forgotten brother Gummo.

Of All the Gin Joints: Stumbling through Hollywood History

Real stories of megastar hi-jinks are served up with an equivalent degree of Hollywood scandal and picture heritage, and a frothy mixture of 40 cocktail recipes and lovely illustrations.

Additional resources for Alfred Hitchcock's Psycho: A Casebook (Casebooks in Criticism)

Sample text

Psycho] didn’t even ring of a Hitchcock picture. ” “[Hitchcock] told me that he had a script by Robert Bloch that hadn’t worked out,” Stefano asserted. Bloch, who was living in Wisconsin at the time, today denies he wrote any such script. An intra–Revue Studios correspondence by Peggy Robertson dated December 19, 1959, confirms, “It is my understanding that Mr. Stefano has not been exposed to the James Cavanagh first draft screenplay. ” The Inception 43 But when they met, Hitchcock offered Stefano no suggestion that he saw in Psycho anything more than a chance to show the low-budget horror schlockmeisters a thing or two.

Salamanca novel, The Lost Country, as a vehicle for rising young actor Anthony Perkins. Perkins never made the movie. Elvis Presley did, as Wild in the Country, from a script by Clifford Odets. Stefano hopped to MCA, where he was represented by Ned Brown, the very agent who had finessed the acquisition of Psycho for Hitchcock. ” Meetings for Stefano with William Wyler and Otto Preminger had short-circuited when Lew Wasserman alerted Brown to Hitchcock’s immediate need for a 42 The Inception writer.

Hitchcock gave a writer. He didn’t know how to say, ‘I’d like to tell you how I feel about these pages,’ if there was a problem. He knew that a writer would be upset or disturbed if he were to find out that somebody else was coming on the script. ” He died at age forty-nine, in 1971. On the rebound, MCA agents suggested to Hitchcock another The Inception 41 young client, Joseph Stefano, a thirty-eight-year-old former lyricist-composer. Exuberantly cocky, volatile, and streetwise, Stefano, who had only owned a television for two years, had harbored no writing aspirations outside of music.

Download PDF sample

Rated 4.75 of 5 – based on 13 votes